In an extraordinary celebration of love, emotion, and humanity, Rashidat Olamidayo Ajakaye has released her highly anticipated collection of poems, ‘Simply Romance.’ Premiering in April 2026, this exquisite compilation invites readers to immerse themselves in the tender nuances of affection and connection, weaving a tapestry of heartfelt expressions that resonate deeply with the human experience.

Ajakaye’s ‘Simply Romance’ is not just a collection of poems; it is a captivating journey through the myriad facets of love—romantic, familial, and platonic. This enchanting volume, published by Free Enterprise Publishers, is a heartfelt dedication to “men who are worthy of passionate and productive hearts,” signaling the poet’s deep respect and admiration for those who embrace love in its truest form.

Simply Romance is poised to become a cornerstone in contemporary poetry, resonating with readers across cultures and backgrounds. The collection is a testament to Ajakaye’s masterful ability to capture the essence of love through evocative language, striking imagery, and profound insights.

The foreword of the book, penned by Dr. Abayomi Awelewa, encapsulates the essence of Ajakaye’s work. He describes her voice as “akin to a gentle breeze on a summer’s day,” skillfully drawing readers into a world where love navigates the complexities of human experience. Dr. Awelewa emphasizes Ajakaye’s ability to illuminate the beauty and vulnerability inherent in love, creating a narrative that feels both personal and universally relatable. Readers will find themselves enchanted by the lyrical quality of her poems, which serve as a mirror reflecting the joys, sorrows, hopes, and longings of the human heart. The imagery is vivid, inviting readers to visualize the delicate moments of connection that linger long after the last page is turned.

Rashidat Afolashade Olamidayo Ajakaye is not just a poet; she is a trailblazer in the realm of literature and education. As a Graduate Assistant at the Department of Language, Arts, and Social Science Education at Lagos State University, Ajakaye has made her mark as a first-class graduate in English Education, breaking barriers that have stood for over four decades. Her passion for the arts and commitment to community development shine through in every line of her poetry.

Ajakaye’s journey as a creative-academic writer has seen her pen over 1,000 poems and contribute to both national and international anthologies. Her previous work, ‘Shattered Shadows of Youths,’ reflects the struggles and aspirations of contemporary youth, showcasing her versatility and depth as a writer.

In her acknowledgments, Ajakaye graciously recognizes the influential figures in her life who have fueled her passion for writing and education. From her parents, Alhaji Chief S. A. Ajakaye and Alhaja S. A. Ajakaye, who instilled in her the values of discipline and love, and a host of academic mentors including Dr. Mustapha Bello, Dr. Dimeji Olaniyi, and Mr. Abiodun Moshood, who have paved the way for her success; Ajakaye’s gratitude is palpable. Her commitment to uplifting others is evident in her founding of the STRIDA Club, a global community embracing creativity and literary expression.

As readers delve into the pages of ‘Simply Romance,’ they will encounter a delightful blend of playfulness and profound insight. Ajakaye skillfully balances moments of lighthearted humor with the weight of emotional vulnerability, creating a reading experience that is both enjoyable and thought-provoking. One of the standout features of this collection is the mutual respect and admiration that permeates the relationships depicted in her poems. The speaker in Ajakaye’s verses is not only deeply in love but also profoundly respectful of their beloved, enhancing the depth of connection that resonates throughout the book. This rare portrayal of love forms a refreshing narrative that emphasizes kindness, compassion, and the beauty of human emotions.

Simply Romance is more than a book of poetry; it is a celebration of the human spirit. Ajakaye reminds us that love is not merely a feeling but a conscious choice. Each poem serves as a gentle reminder that to love is to show up, to be present, and to care for others with openness and generosity. The collection encapsulates the idea that love is a journey, not a destination. As readers navigate through the verses, they will find themselves reflecting on their own experiences, recognizing the complexities and contradictions that define the human heart. Ajakaye’s poems evoke a sense of wonder and beauty, drawing readers into a world rich with emotion and connection. Whether one has loved, lost, or simply lived, Simply Romance offers something for everyone. It is a treasure trove of thoughts and experiences that leave readers feeling seen, heard, and understood. In times of uncertainty and chaos, Ajakaye’s words serve as a beacon of hope, illuminating the path through the darkest of times. Her poetry embodies the transformative power of love, reminding us that it is a choice we make every day.

In conclusion, ‘Simply Romance’ by Rashidat Olamidayo Ajakaye is a remarkable addition to the literary world—a collection that invites readers to explore the depths of their own hearts and the connections that bind us all. With its exquisite language, profound insights, and genuine exploration of love, this collection is destined to resonate with poetry lovers and casual readers alike. For anyone who has ever loved or longed for connection, Ajakaye’s work is a must-read. As we turn the pages of this beautifully crafted collection, let us embrace the journey of love together, celebrating the emotions that unite us in our shared humanity. Don’t miss your chance to experience this literary gem—Simply Romance is a poetic journey you will not want to miss. With its alluring themes and compelling verses, Rashidat Olamidayo Ajakaye’s ‘Simply Romance’ is sure to leave an indelible mark on the hearts of its readers, solidifying her place as a prominent voice in contemporary poetry.

© Abiodun Moshood O.

The post Breaking: Academic Trailblazer Rashidat Ajakaye Shatters Literary Silence With The Release of ‘Simply Romance appeared first on The Lagosian Magazine.

Renowned Nigerian photographer, Dayo Adedayo, has unveiled the DAP Experience Centre, a new cultural and creative institution aimed at preserving and promoting Nigeria’s visual history through photography.

Adedayo described the centre as a multi-dimensional facility combining a visual museum, archive, research library, and creative laboratory dedicated to documenting Nigeria and Africa’s cultural heritage. He noted that the project, conceived over two decades ago, was driven by the need to create a permanent institutional home for Nigeria’s visual memory.

According to him, the initiative follows over 30 years of documenting the country’s landscapes, people, and historical moments, resulting in an archive of more than four million images and several published works.

He explained that the centre is designed to support young photographers across Nigeria and West Africa by providing structured training, mentorship, access to rare archives, and exposure to global best practices in photography and visual storytelling.

Adedayo also highlighted the contribution of international collaborator Don Barber, whose donation of photography publications has significantly strengthened the centre’s research library, offering insights into the global evolution of the craft.

The facility integrates both traditional and modern photography techniques, preserving analogue methods such as darkroom practices while embracing emerging technologies including artificial intelligence, drone imaging, and mobile photography.

Located in Lagos, the centre is expected to boost cultural tourism and creative industry development by attracting scholars, students, researchers, and international visitors. Adedayo said the project would contribute to job creation, foster innovation, and position Lagos as a leading hub for arts and culture in Africa.

He added that the centre features immersive exhibition spaces, interactive installations, training studios, and a comprehensive archive showcasing Nigeria’s photographic history. It also includes unique attractions such as themed experience rooms, a projection theatre, and an innovation lab focused on future imaging technologies.

On funding, Adedayo disclosed that the project was financed through a combination of personal investment, private support, and strategic partnerships, while emphasising that its true value lies in its cultural and intellectual significance.

He further revealed plans to sustain the institution for the next 50 to 100 years through digital preservation systems, educational partnerships, and an endowment structure.

Adedayo expressed optimism that the DAP Experience Centre would serve as a transformative space for learning, creativity, and cultural preservation, adding that the initiative marks the beginning of broader expansion plans across Nigeria.

The post Adedayo Unveils DAP Experience Centre After 23-Year Vision to Preserve Nigeria’s Visual Heritage appeared first on The Lagosian Magazine.

Am I a proud woman?

I begin as a cheerful child chasing butterflies in her father’s compound,

an inquisitive child learning the language of the world.

Am I a proud woman?

After relatively long years of nurturing,

I become a daughter dedicated to the pride of her parents,

even with the threats of sexual proposals and faceless promises.

Am I a proud woman?

Sometimes, I do not become a sister

but all times…I become a friend to myself and others,

reinvesting my attention for others to select right life decisions

from the dilemmas of passion and social expectations.

Am I a proud woman?

I am as educated as the walk of time,

tí a bá kọ́ obìnrin ní ẹ̀kọ́, a ti kọ́ ẹgbẹ̀rún ènìyàn.

I do not just parade the house with my office hills,

my native intelligence is dearest to me,

if not for women, the tables would be under the chairs.

Am I a proud woman?

Just as an octopus multitasks with different arms,

I multitask!

I become a worthy wife and a dear daughter-in-law.

Saving my pride for countless “I am sorry”.

Saving the dance steps of my home

for the drum beats of my husband’s home.

Am I a proud woman?

In this shell, I become a mother,

being the closest confidant and philosopher of my children,

when our children want to wander wild,

I know the way to ring the caution bell.

Am I a proud woman?

Obìnrin tí ó bá jẹ́ olóòótọ́ ní ilé, yóò jẹ́ olóòótọ́ níta.

I am a teacher,

thousands taught me and I teach a country,

a country for free not only paying students.

Am I a proud woman?

I am an entrepreneur,

I am a tree that births a forest,

luck or work…I promote positive possibilities

when I listen to fertile but unloved ideas.

Am I a proud woman?

With all my prosperous transformations within the elastic shell

of childhood, motherhood, grannyhood, great grannyhood…

I am a philanthropist,

for I fill the gaps of wealth recreation in my society and beyond.

Am I a proud woman?

Today, I brag my gender in honour,

I am a proud woman,

yes, we are proud women.

Happy International Women’s Day!

© RASHIDAT OLAMIDAYO AJAKAYE

STRIDA… guiding you to striking confidence in academic and creative writing!

2026

The post Happy International Women’s Day. Ode: “AM I a Proud Woman?” appeared first on The Lagosian Magazine.

I am a proud black woman!

My skin sparkles like a beach before sunlight,

my radiance sharpens the beauty of my eyeballs,

Have you seen my legs?

Smooth, silky, shiny, straight and sturdy.

I am a proud black woman!

I am superior to ultraviolet radiation,

I can sit in the sun and smile,

I am innocent of keratosis’ wrinkles and spots,

82 shall find me as agile as Iya Rainbow.

I am a proud black woman!

I am not transparent but opaque,

I jailed the possibility of cancer passing through me,

I have a strong and feasible hair scalp,

I do not turn red over heavy workloads.

I am a proud black woman!

I am the virgin colour,

never lose me to skin toning,

else, regression is only a second away,

and no way to recover virgin black is known by any.

© RASHIDAT OLAMIDAYO AJAKAYE

STRIDA… guiding you to striking confidence in academic and creative writing!

The post Identity: “Proud Black Woman” appeared first on The Lagosian Magazine.

Godfatherism!

In the hearts of millions amongst just thousands,

humanity murdered the spirit and paraded the flesh,

commoners became re-incarnated spirits, youths…

flesh sped into the elite kingdom,

the tension of survival becoming legitimate,

where did Life go then?

Godfatherism!

It is simply the networking of loyalty,

it is obedience, cultivated with logical nurturing,

not wild trees, free-domesticad trees.

he is not a financial god,

he is a god of your peculiar meritocratic interest.

“Godfatherism” is “political loyalty” not slavery.

Godfatherism!

The masses breathed power into you,

why is your legitimacy being purchased?

Why mirror the public seat

as your privatised investment avenue?

Stop marginalising the citizenry by parent-actor dependency!

The soil knows how you escape intentionally-caused economic disaster.

Godfatherism!

I am the voice of the serpent-soaked soil,

we have the right to a calculated inquiry into power,

we know your meritocracy is false,

don’t wives learn on their jobs?

Hero-worshipping is lordship simply corrupted,

let’s be sane social participants!

Godfatherism!

It is high time ye reclaimed the sense of justice,

not all your associates are proud of you,

Bàbá nígbẹ̀jọ́!

Maìgàdà!

Nnàm-Ùkwú!

Give flesh and spirit some more of Life…

© RASHIDAT OLAMIDAYO AJAKAYE

STRIDA… guiding you to striking confidence in academic and creative writing!

2026

The post Protest Poetry: “Speak the Language of Success: Understanding Godfatherism” appeared first on The Lagosian Magazine.

Women are the enemies of Women!

As healthy as the roots of masquerade trees,

her vision arises mightily.

Behind her, a thousand billionaire women,

a penny is too expensive for another woman.

“I went within hell, why shouldn’t she?”

Women are the enemies of Women!

my eyes sat on my head from Lekki’s professional stress,

on Badore’s motorcycle, beside her, I sat and heard.

“Women that drive cars are wicked.”

“Not all of them, maybe some.” I retorted.

I could read just jealousy on her lips.

Women are the enemies of Women!

From a broken family, she grows

within the walls of trauma and regression, she prospers…

only to meet dispiriting attempts of intimidated women.

“Don’t you think she is overambitious?”

“I am not, you are the one in tight shoes…”

Women are the enemies of women!

Anike leads with healthy discipline and sane passion,

willing to impart with the spear of philanthropism,

selflessly managing the ‘coat of social harm’

“Why another project from our President, is she a man?”

Women prefer to be enslaved by a man than simply obeying the same sex.

Women are the enemies of Women!

I bought a dress she sew, my rear almost bear,

she leans in weighted thanks before me.

She whispers me as “indecent” to other skirts,

why whisper what you should warn?

why warn behind what you should not whisper?

Women are the enemies of Women?

Aggressive at the shine of mates,

Listen!

Let an elderly woman be dearest to your beauty, plans…

she would not measure your worthiness with her,

insane comparison cracks the mirrors of prospects.

© RASHIDAT OLAMIDAYO AJAKAYE

STRIDA… guiding you to striking confidence in academic and creative writing!

2026

The post Social Critique: “Women Are the Enemies of Women” appeared first on The Lagosian Magazine.

On the evening of October 9, 2025, the literary community gathered on the STRIDA WhatsApp Platform for a lecture. This momentous occasion not only marked the passage of time but also served as a platform for introspection and dialogue regarding the evolving nature of creativity in the age of artificial intelligence (AI) and the art of poetry. The highlight of the evening was a dual lecture featuring two distinguished speakers: Saka Habeeb Opeyemi from Nigeria, who discussed the thought-provoking topic, “Can AI Replace the Creativity of Writers?” and Malivs, a celebrated poet and disability advocate from Zimbabwe, who shared insights on “How to Become an Effective Poet.”

As the event commenced, the STRIDA community welcomed Saka Habeeb Opeyemi with open arms, eager to delve into the complexities surrounding AI and creativity. The discussion around AI’s potential to replicate or even replace human creativity is an ever-relevant topic in today’s digital landscape, where technology continues to shape various aspects of our lives, including the literary arts. Opeyemi’s presence not only enriched the community but also sparked an essential conversation that resonates with writers, poets, and creatives worldwide. In his lecture, Opeyemi presented a nuanced perspective on the capabilities of AI in the realm of writing. He acknowledged the advancements in AI technology that have enabled machines to generate text, craft stories, and even mimic writing styles. However, he emphasized a fundamental distinction: while AI can produce content, it lacks the emotional depth, personal experience, and intrinsic creativity that characterize human writers. Opeyemi’s insights prompted a lively discussion among STRIDA members, who engaged with thoughtful questions and shared their perspectives on the balance between technology and creativity. Opeyemi remarked, “AI can assist writers, but it can never replace the unique human experience that fuels true creativity.” His assertion resonated with many attendees, who reflected on their own creative processes and the importance of human connection in storytelling. The session was highly interactive, with participants sharing their thoughts on how writers can leverage AI as a tool rather than a replacement, ensuring that the essence of human creativity continues to thrive. The STRIDA community’s engagement during Opeyemi’s lecture was a testament to the vibrancy of the platform. Members expressed gratitude for the opportunity to reflect on such a critical issue, showcasing the power of collective dialogue in the literary sphere. In recognition of Opeyemi’s impactful lecture, STRIDA presented him with the Certificate of Effective Impact, acknowledging his significant contribution to the community.

Following Opeyemi’s insightful discussion, the stage was set for Malivs, a multifaceted poet and advocate whose work embodies resilience and creativity. Malivs, affectionately known as Victory Mashizha, took the virtual stage to share his knowledge on “How to Become an Effective Poet.” As he introduced himself, he spoke passionately about his journey as a poet, author, and advocate for individuals with disabilities, emphasizing the transformative power of poetry in bridging gaps and fostering understanding. With an engaging and dynamic delivery, Malivs encouraged aspiring poets to explore their potential beyond mere expression. He posed the question, “What does it mean to be an effective poet?” and challenged attendees to rethink their approach to poetry. He explained that many poets often confine themselves to a cycle of sharing their work within familiar circles, without seeking broader avenues for growth and engagement. Malivs urged his audience to embrace the myriad opportunities available to poets, including spoken word performance and published anthologies. Exploring the two branches of spoken word poetry—recording and performing—Malivs provided practical advice for poets looking to make their mark. He emphasized the importance of using one’s mother tongue in performances, arguing that it helps convey genuine emotion and resonates more deeply with local audiences. “Your message matters, and expressing it in the language of your heart can amplify its impact,” he declared. Malivs also shared his personal experiences, illustrating how poetry has served as a powerful tool for advocacy. He recounted his journey as a disability advocate, using his platform to raise awareness about cerebral palsy and the importance of inclusivity. His story inspired many in the audience, showcasing the potential of poetry to effect real change in society. In conclusion, Malivs shared key takeaways for aspiring poets, emphasizing the significance of identifying one’s strengths and weaknesses, experimenting with poetic devices, and continuously honing one’s craft. He encouraged participants to embrace their unique voices and perspectives, asserting that every poet has the potential to touch lives through their art. The STRIDA community responded with enthusiasm, expressing their appreciation for Malivs’ wisdom and encouragement. In recognition of his valuable contribution, STRIDA awarded him a Certificate of Participation and Appreciation, celebrating his engagement and the inspiration he imparted to the audience.

As the evening drew to a close, it was evident that the STRIDA had achieved its goal of fostering meaningful dialogue and enriching the literary community. The lectures from Opeyemi and Malivs not only illuminated the challenges and opportunities facing writers in an age of AI but also inspired a renewed commitment to the art of poetry. The lecture illustrated the importance of community in nurturing creativity and highlighted the significance of engaging with diverse perspectives. STRIDA members left the session with a sense of camaraderie and motivation, eager to explore their own artistic potentials and share their voices with the world. STRIDA reaffirmed its mission to support writers and poets in their creative journeys while adapting to the ever-changing landscape of literature. The platform continues to stand as a beacon of inspiration and growth, fostering a vibrant community where creativity flourishes, and individuals are empowered to express themselves authentically. As STRIDA looks to the future, the themes of AI and creativity, as well as the art of poetry, will remain at the forefront of discussions, ensuring that the platform remains a dynamic space for literary exploration and engagement. The commitment to continuous learning and shared experiences will undoubtedly guide STRIDA into its next chapter, inspiring a new generation of writers and poets to leave their marks on the world.

The post Beyond Pixels And Pages: Strida Platform Lecture Tackles AI And Poetry appeared first on The Lagosian Magazine.

Dear Single Mothers!

If you went against the world to keep your child,

if you never slept with another man like a victim,

to fill the gaps of your child’s father,

be proud of yourself,

ye are a garment of motherhood, from head to toe.

Dear Single Mothers!

If your child’s condition is not desirable,

if the father’s absence is the child’s skin colour,

if everyone knows only your restless purse

is the secret behind your child’s welfare,

ye have no right to be proud of yourself.

Dear Single Mothers!

Let your child answer the name of his father,

understand this logic even in your dark times,

the pride of having a father or mother saves a child’s dreams.

Ye may curse your child’s father only in thy heart,

you ruin a child by telling him or her how bad his or her father is.

Dear Single Mothers!

For every second he requests his child,

let him, it is his right to see his fruit,

not at your mercy

but at the glory of all you invested,

in no time, bills become bliss.

© RASHIDAT OLAMIDAYO AJAKAYE

STRIDA…guiding you to striking confidence in academic and creative writing!

The post Dear Single Mothers! appeared first on The Lagosian Magazine.

“Ṅkan tí à ńwá lọ Ṣókótó, wá ní àpo ṣòkòtò.”

𝐖𝐡𝐚𝐭 𝐰𝐞 𝐣𝐨𝐮𝐫𝐧𝐞𝐲 𝐟𝐚𝐫 𝐭𝐨 𝐬𝐞𝐞𝐤 𝐢𝐬 𝐚𝐥𝐫𝐞𝐚𝐝𝐲 𝐢𝐧 𝐨𝐮𝐫 𝐩𝐨𝐜𝐤𝐞𝐭.

This proverb framed my thoughts as I stood on the historic grounds of Tafawa Balewa Square, Lagos Island, on the 27th day of December, in the year of our Lord 2025. It is not a saying of complacency; it is a declaration of abundance. It reminds us that Nigeria already possesses what many nations are searching for, culture, history, creativity, resilience, and identity. We have no business chasing what is not lost.

To be among the photographers documenting the Adamu Orisa Play, staged this year to honour departed pillars of Lagos and Nigeria, is an honour that will remain etched in my memory. This was not merely an event. It was a ritual of remembrance, a civic thanksgiving, and a cultural homecoming.

I arrived at TBS the night before and stayed until about 2 a.m., walking the grounds in quiet contemplation, studying angles, anticipating movement, imagining light. I wanted to know where history would best reveal itself through my lens.

That night, providence placed Mr. Seni Makanjuola, one of the engine rooms of the Lagos State Ministry of Culture, Tourism and Arts, in my path. With warmth and efficiency, he ensured my crew and I received our passes. In moments like that, one is reminded that culture survives not only through spectacle, but through the diligence of those who quietly sustain it.

By 9 a.m., I was back at TBS. Even then, Lagos had already announced herself. Roads were jam-parked, and I walked from Independence Bridge to the Square, camera in hand, spirit light.

Security was firm and reassuring. Military men and police officers were stationed everywhere, ensuring safety for the general public and for the President of the Federal Republic of Nigeria, President Bola Ahmed Tinubu, GCFR. Access was smooth. Order prevailed. And then I saw the stands. They were nearly full. I paused, not in surprise, but in awe. Lagosians had come out in their numbers. Culture had called, and the people had answered.

The Yoruba say, “Ìròhìn kì í tó àfọ̀jú bá.” 𝐍𝐨 𝐞𝐱𝐩𝐥𝐚𝐧𝐚𝐭𝐢𝐨𝐧 𝐞𝐪𝐮𝐚𝐥𝐬 𝐰𝐡𝐚𝐭 𝐭𝐡𝐞 𝐞𝐲𝐞𝐬 𝐦𝐮𝐬𝐭 𝐰𝐢𝐭𝐧𝐞𝐬𝐬.

I plunged into work immediately. My intention was clear: to produce a book on the Adamu Orisa Play, its history, its meaning, and its place in the evolving story of Lagos.

As I moved around the stands, Lagos revealed herself fully. Men and women dressed in splendid Yoruba attire, aso-oke, adire, lace, damask, paired with elegant sunshades, carefully chosen shoes, and matching bags. It was colour upon colour. Confidence upon confidence.

𝐓𝐫𝐮𝐥𝐲, 𝐄𝐤𝐨 𝐢𝐬 𝐟𝐨𝐫 𝐬𝐡𝐨𝐰.

To understand the Adamu Orisa Play is to journey into the spiritual and historical heart of Lagos.

Adamu Orisa predates its modern staging by centuries. Oral tradition situates its first formal performances in mid-19th-century Lagos, during the era of early Obas such as Oba Akitoye and Oba Dosunmu. This was a period of profound transition, political, spiritual, and social.

Adamu Orisa emerged as a sacred ritual performance, created to honour the passing of revered leaders and elders whose lives shaped the moral and civic order of Lagos. It was conceived not as entertainment, but as a rite of passage, a way of guiding the departed into the ancestral realm while restoring balance among the living.

In its earliest form, Adamu Orisa was community-bound. It took place within palace courtyards and sacred routes on Lagos Island. Participation was restricted, movements were deliberate, and symbolism was paramount. Every chant, step, and costume carried encoded meaning.

From this ritual soil grew one of Lagos’ most enduring cultural institutions.

From Adamu Orisa emerged Eyo, not merely a masquerade, but a living philosophy. Clad in flowing white robes (agbada funfun), wide-brimmed hats (àkètè), and carrying the sacred òpá bàtà, the Eyo represents transition, from life to ancestry, from silence to continuity, from the visible to the unseen.

Historically, Eyo festivals were performed to:

Honour the death of an Oba of Lagos, commemorate the passing of distinguished chiefs, and prepare the spiritual ground for the installation of a new Oba.

Eyo is authority in motion. Tradition demands reverence. Footwear must be removed, and the òpá bàtà enforces respect without words.

Over time, the institution became structured into recognised groups with defined lineage and roles.

The five principal Eyo groups traditionally recognised are:

Eyo Adimu, the most sacred authority

Eyo Laba (Agere), the path-opener

Eyo Oniko, guardian of discipline

Eyo Ologede, symbol of fertility and continuity

Eyo Agere, reflecting the fluidity of oral tradition

In contemporary Lagos, additional recognised groups, including Eyo Elemoro, identified by its pink hat, participate under strict traditional regulation.

Today, there are over seven registered and traditionally recognised Eyo groups, their legitimacy rooted in lineage, history, and ritual continuity.

The 2025 Adamu Orisa Play carried profound significance. It was staged to honour towering figures in Lagos’ political and social history, all now ancestors:

Mobolaji Johnson, the first Military Governor of Lagos State

Alhaji Lateef Kayode Jakande, the first civilian Governor of Lagos State

Chief Michael Otedola, former Governor of Lagos State

Alhaja Abibatu Mogaji, Iya Oloja General and mother of President Bola Ahmed Tinubu

These were not ordinary names. They were builders of modern Lagos, figures whose lives shaped governance, commerce, and the soul of the city. To honour them through Adamu Orisa was to acknowledge that leadership, too, must pass through ritual remembrance.

What made the 2025 Adamu Orisa Play extraordinary was its intentional relocation, from sacred inner spaces to the civic grandeur of Tafawa Balewa Square. This was not dilution. It was declaration. By situating Adamu Orisa within Detty December, Governor Babajide Olusola Sanwo-Olu affirmed that culture is not frozen in time. It can breathe, evolve, and still remain sacred.

One Eyo group followed another, measured steps, chanting voices, ancestral authority unfolding before tens of thousands. Old and young alike eagerly sought photographs with the Eyos as they completed their parade.

Behind the splendour were tireless hands: the Chief of Staff, to Mr Governor, Mr. Tayo Ayinde present early to ensure order; Mrs. Toke Benson-Awoyinka, who stayed until after 1 a.m.;

Mr. Idris Aregbe, whom I left at 2 a.m. and met again at 9 a.m., having departed only at 6 a.m.

Culture does not happen by accident. It happens because some people refuse to sleep.

As I prepared to leave, I turned back and looked at the crowd. I saw pride. I saw belonging. I saw hope.

Lagos is blessed.

Nigeria is blessed.

𝐖𝐢𝐭𝐡 𝐞𝐯𝐞𝐫𝐲𝐭𝐡𝐢𝐧𝐠 𝐰𝐞 𝐚𝐥𝐫𝐞𝐚𝐝𝐲 𝐩𝐨𝐬𝐬𝐞𝐬𝐬, 𝐡𝐢𝐬𝐭𝐨𝐫𝐲, 𝐜𝐮𝐥𝐭𝐮𝐫𝐞, 𝐜𝐫𝐞𝐚𝐭𝐢𝐯𝐢𝐭𝐲, 𝐰𝐞 𝐭𝐫𝐮𝐥𝐲 𝐡𝐚𝐯𝐞 𝐧𝐨 𝐛𝐮𝐬𝐢𝐧𝐞𝐬𝐬 𝐬𝐞𝐚𝐫𝐜𝐡𝐢𝐧𝐠 𝐟𝐨𝐫 𝐰𝐡𝐚𝐭 𝐢𝐬 𝐧𝐨𝐭 𝐥𝐨𝐬𝐭.

May Lagos continue to rise, a city where culture is preserved, celebrated, and rewarded.

May Nigeria remember herself, confident, just, and prosperous.

May those who lead us be granted wisdom beyond politics, vision beyond today, and courage beyond fear.

May Governor Babajide Olusola Sanwo-Olu be strengthened to do more, to do better, and to leave legacies that time itself will applaud.

And may we, the witnesses and chroniclers, never grow tired of believing that Nigeria will be better, not someday, but in our lifetime.

The post 𝐖𝐡𝐚𝐭 𝐖𝐞 𝐒𝐞𝐞𝐤 𝐢𝐧 𝐒𝐨𝐤𝐨𝐭𝐨 𝐈𝐬 𝐀𝐥𝐫𝐞𝐚𝐝𝐲 𝐢𝐧 𝐎𝐮𝐫 𝐏𝐨𝐜𝐤𝐞𝐭: 𝐀𝐝𝐚𝐦𝐮 𝐎𝐫𝐢𝐬𝐚, 𝐄𝐲𝐨, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐃𝐚𝐲 𝐋𝐚𝐠𝐨𝐬 𝐇𝐨𝐧𝐨𝐮𝐫𝐞𝐝 𝐈𝐭𝐬 𝐀𝐧𝐜𝐞𝐬𝐭𝐨𝐫𝐬. appeared first on The Lagosian Magazine.

He is her forever, she is his forever,
their passion is wrapped in the leaves of trust,
in dignity, both minds became one,
their hearts are as compatible
as an iroko tree and its roots.
In sane love, The Lord has been leading…

He is her forever, she is his forever,
in his arms, she loses consciousness all night,
to her chest, he never says “Goodbye”.
Even under the heaviest emotional rainfalls,
their hands still holding tightly,
for the strength of The Lord’s resides in both parties.

He is her forever, she is his forever,
her dream is his dream, so is his to her,
trust is their asset,
busy on separate fields but harvesting in unison.
Their love is a flame that conquers the wildest wind,
such a passion that never bends.

He is her forever, she is his forever,
sharing breath at all dawns,
his touch always finds her,
as though they have just begun afresh,
sharing laughter in admirable merriment,
sharing storms with exemplary approaches.

He is her forever, she is her forever,
years of togetherness growing older,
passion reflecting steadily like sunlight,
I have seen this marital strength,
what an immortal passion!
Now…I pray for you both…

You will be his forever forever,
you will be her forever forever,
The Lord will grant you more Champions,
may your passion remain spotless,
even from the slightest storm, Lord will shield this home,
for His testimony of spiritual Grace.

© RASHIDAT OLAMIDAYO AJAKAYE
STRIDA… guiding you to striking confidence in academic and creative writing!
November, 2025.

The post ROMANCE: “UNBREAKABLE PASSION” appeared first on The Lagosian Magazine.